Table of Contents
- 10.1. Introduction
- 10.2. Electrodynamic microphone
- 10.3. Condenser microphones
- 10.4. Piezoelectric microphones
- 10.5. Ribbon Microphones
- 10.6. Polar pattern of a microphone
- 10.7. Omnidirectional microphones
- 10.8. Unidirectional microphones
- 10.9. Pressure gradient microphones
- 10.10. Double-diaphragm condenser microphones
- 10.11. PZM - Pressure Zone Microphones
- 10.12. Special microphones
- 10.12.1. Shotgun
- 10.12.2. Parabolic - Reflector microphone
- 10.13. Specific electric units of microphones
- 10.13.1. Self noise
- 10.13.2. Distortion
- 10.13.3. Sensitivity
- 10.14. Stereo miking techniques
- 10.14.1. Coincident microphones
- 10.14.2. Blumlein technique
- 10.14.3. XY technique
- 10.14.4. MS technique - Mid Side
- 10.15. Stereo miking techniques: near microphones
- 10.15.1. ORTF technique - Organization Radio Television Francaise
- 10.15.2. NOS Technique
- 10.15.3. OSS Technique - Optimum Stereo Sound
- 10.16. Stereo miking techniques: distant microphones
- 10.16.1. AB technique
- 10.16.2. Decca Tree
- 10.17. Miking of musical instruments
Microphones are transducers capable of transforming acoustic energy into electric energy. In particular atmospheric pressure variations are converted into voltage variations and therefore into an electric current. In this section we will take a look at various microphones and their usages.
There are different kinds of technologies for the production of microphones which gives us a vast array of solutions depending on the context we are operating in. There are microphones that are more sensitive than others, microphones with different directionalities, and above all let's keep in mind that every microphone has its own specific timbre which characterizes it and makes it unique. In common practice, a series of standard microphones are used as a kind of reference for sound engineers. We could cite some of them but technology moves fast. This course stands! Experience broadens our horizons and helps us to choose the right microphone for each working context. Let's begin by taking a look at the various ways in which microphones are created.


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